Concert in your area for Pop, Rock, Funk & Soul, and Folk & Blues.
Astley has been recognized as a key figure within the blue-eyed soul movement, which is a genre in which white artists perform rhythm and blues music. Apart from Astley this style has largely been popularized by contemporaries such as Wham! and Hall & Oates. Astley’s musical influence and style has ranged from early 60s classic pop, electronic dance, and towards the end of his career, soul. Though Astley’s sound was progressive and evolutionary his early 80s material was highly influenced by pop mega stars such as Madonna, Spandau Ballet, and Duran Duran.
Not unlike many pop artists Astley started his music journey singing in the local church choir at the age of 10. When Astley was in his early to mid teens he formed several bands and also played drums in a few local acts. He left school when he was 16 and gigged with bands like the cover group Give Way who primarily played songs by the Beatles and the Shadows. Astley also played in the locally acclaimed act FBI.
FBI focused mainly on soul music and wrote their own songs. The group made a name for themselves around town and ended up winning several local competitions. However the lineup experienced a dramatic shift when lead singer David Morris left. The band then recruited Astley as lead singer, which proved to be a significant turning point in Astley’s career. He was almost immediately recognized for his talent amongst record executives and was picked up as a solo artist for RCA records.
Before emerging completely as a solo artist Astley recorded his first single “When You Gonna” with Lisa Carter. Though this release did not chart his follow up single “Never Gonna Give You Up” took the pop world by storm. It remained on top of the British charts for five weeks and was 1987’s highest selling single. The song was not only an immense success in the UK, it went on to top the charts in 24 other countries. This track has remained relevant and experienced a resurgence of success, thanks due to the internet sensation “Rickrolling”.
Though Astley would never match the success he brought in with “Never Gonna Give You Up” (which is a near impossible standard to live up to) he continued to put out singles and albums to great commercial acceptance. His single “Whenever You Need Someone” was another hit. Though it did not chart in the states (due to the fact it was not released to a North American audience) it was a massive smash in Europe, going on to top the charts in 7 countries. Astley’s second full length album “Whenever You Need Somebody was a large scale success as well selling over 15.2 million copies worldwide and going No. 1 on the charts in both the UK and Australia.
For Astley’s next two albums he decided to abandon his pop star image and sound and strive for a more soul oriented and adult contemporary sound. Even in spite of his stylistic chance Astley still remained popular. His third album “Free” made it to No. 9 on the UK charts and to No. 31 on the US charts. Astley would go on to break the record for being the first male solo artist to have 8 singles chart within the UK top 10. The ballad “Cry For Help” was the song that broke the record. Before Astley announced his hiatus from music he released “Body & Soul” on 28 September 1993. It would be eight years later until Astley put out his fifth album “Keep It Turned On”. Within that time span Astley focused on his family, specifically raising his daughter. One significant contribution Astley made during his break was acting as a back up singer for the movie “The Lion King”.
In 2005 Astley released his 6th album “Portrait”, which consisted entirely of covers of classic standards. Apart from releasing new material Rick Astley jumped back into the music business touring alongside other huge 80s acts like Boy George.
It’s safe to say that Louise Gabrielle Bobb made quite an impression when she debuted at the tender age of 23. Her debut single “Dreams” hurtled into the charts at number two, which was already the highest chart entry for a debut single in the history of the U.K singles charts. She went one better the week afterwards though, when the single topped the charts and stayed at the top for the following three weeks. With one single, Gabrielle had established herself as a talent to be reckoned with, and followed it up with another top ten single in the form of “Going Nowhere”. Her debut album “Find Your Way” was released soon after that, and signalled the peak of a commercial purple patch for the young artist along with her award for British Breakthrough Act at the 1994 BRIT Awards.
After touring the world for the remainder of 1994, Gabrielle released her second studio album in 1996. The self-titled effort was another huge hit for her, as was its lead single “Give Me A Little More Time”, but as the campaign went on her singles started slipping further and further down the upper echelons of the charts, save for a duet with “Stay Another Day” hitmakers East 17 in the form of “If You Ever”, which was a number two hit and sold over half a million copies. However, people were beginning to doubt the commercial potential of Gabrielle on the whole. Almost as a response, 1999 would see her go through one of the most spectacular career rejuvenations of the 1990’s. Her third album “Rise” spent three weeks at number one and was certified four times platinum, with its eponymous lead single enjoying similar success in January 2000.
Ever since then, Gabrielle has enjoyed a stellar career as one of the premier British soul artists of today, arguably paving the way for the likes of Adele and Amy Winehouse to have similar levels of success all over the world. With a sixth album currently in the works, Gabrielle comes highly recommended.
Everyone has been "Rick Rolled" once in their life. It involves sending a person a hyperlink to something interesting but in reality it sends the person to the music video for Rick Astley's "Never Gonna Give you Up" as a big joke.
This was a one hit wonder in the 1980s and it remains popular today. I have loved the song and his work since he broke onto the scene 30 years ago.
I won tickets to see him perform at the local venue as part of the radio's concert series. I had to be the fifth caller and I always try to get in and never was successful before. Somehow that day the stars aligned and I got right in and was the right caller! I was pumped and could hardly talk to the DJ.
The day came and I was first in line so that I could get right up front for the show. I ended up back stage at the end of the show with my favorite DJ who invited me to meet Rick and shake his hand. He was so humble and happy to talk with me for almost a half hour.
Gabrielle was queen of the 90's and the early 00's with her glossy, RnB-pop tracks With many a hit under her belt that have stood the test of time, from 'Rise', 'Out of Reach' and 'Dreams', she is still a nostalgic staple for ballad lowers, with many of her songs used in soundtracks for Hollywood films, such as 'Bridget Jone's Diary'. I saw Gabrielle at the height of her fame in the early 2000's. She was still playing large venues and bringing in the crowds. However, the NEC in Birmingham, where I was part of the audience, felt too big and didn't suit Gabrielle's soulful sound, or heartfelt lyrics. A more intimate setting would of taken the music to another level. Instead, Gabrielle tried to hold the huge stage all alone, with only the large screens to help. She wore her trademark black suit and sunglasses, making the show lack even more spectacle, some much needed colour wouldn't have gone a miss. The audience were a mix of ages, mostly women. A collection of mums, grans, aunts and kids all dotted around the enormous hall. The crowd were reluctant to dance or sing, but were willed to there feet by constant encouragement from the lady herself. Hits like 'Sunshine Through my Window' managed to raise some voices in a sing-a-long, but the older members of the crowd stayed very much quiet and seated.
Technically Gabrielle was pitch perfect, she has the vocal range and the stamina of a much younger woman and chatted with ease between songs to the crowd. She has a sweet, rich voice that didn't falter once, she even treated the crowd to some unexpected covers, in which she invited a member of Damage on to the stage (which really dates this review).