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Childhood friends Jim Adkins and Zach Lind partnered with guitarist Tom Linton and bassist Mitch Porter to form the band in 1993. Under local label Wooden Blue Records Jimmy Eat World released a few singles, an EP and a self-titled album during 1993-94. The band got lucky in 1995 with a contract under Capitol Records that allowed them to release the album “Static Prevails.” For this venture, friend Rick Burch replaced Mitch Porter and drummer Mark Trombino joined the group.
In 1999, Jimmy Eat World released “Clarity” which was recorded in studios in California. The single “Lucky Denver Mint” was featured on the soundtrack of rom-com “Never Been Kissed” which elevated the band to mainstream audiences. However, the album that prompted Jimmy Eat World to worldwide fame is “Bleed American” which was put out in 2001 by DreamWorks. The single “The Middle” exploded on the airwaves and took the #5 spot on the Billboard Hot 100.
Following tremendous success with “Bleed American” Jimmy Eat World recruited producer Gil Norton (whose previous experience includes working with bands like the Pixies and Foo Fighters) to work on “Futures.” Their fourth album came out October 2004 and the single “Pain” became a hit. By this time Jimmy Eat World had toured independently to promote “Bleed American” and also in collaboration with Taking Back Sunday. In 2005 they joined forces with Green Day on a worldwide tour.
In total Jimmy Eat World has released eight studio albums both independently and under major label Interscope Records (formerly DreamWorks). The band’s name comes from a cartoon drawn by Linton’s younger brother Ed, who was making fun of their brother Jim. The drawing depicts a slab of the Earth resting on Jim’s jaw, and the rest is history. Jimmy Eat World considers punk bands Mr. T Experience, Radon and Tempe’s Horace Pinker as influences in their music.
Comprised of Jake Snider (vocals/guitar), Dave Knudson (guitar), Matt Bayles (keys), Cory Murchy (bass) and Erin Tate (drums), Minus the Bear released their debut EP “This Is What I Know About Being Gigantic” under Suicide Squeeze Records in 2001. The EP demonstrated their early mathcore and experimental rock elements whilst displaying their witty song titles with tracks like “Hey, Wanna Throw Up? Get Me Naked”, “Lemurs, Man, Lemurs” and “Just Kickin’ It Like a Wild Donkey”.
Despite appearing as a novelty band, Minus the Bear proved themselves to be incredibly smart musicians as they continuously shaped their songcraft incorporating elements of pop, indie and post-hardcore inspired by artists such as Incubus and Deftones. After several EP releases, the departure of Bayles coupled with Alex Rose’s arrival and hopping between labels like Arena Rock and Polyvinyl, the band signed with Dangerbird Records in 2010.
The first release later that year under the new label “Omni” produced by Grammy Award winning producer Joe Chiccarelli (White Stripes, Counting Crows, Manchester Orchestra) had more of a live feel led by the continuous play instead of recording the separate track components. As their craft developed, the band have found themselves less concerned with regimenting song lengths as they did in early stages of their career and instead going with their flow.
With an incredible amount of tenacity, passion and talent, Minus the Bear have built strong relationship with their diverse and adoring fan base. Relentlessly touring worldwide having shared the stage with the likes of Foo Fighters, Jimmy Eat World and Soundgarden and a string of sold out shows under their belt, Minus the Bear are all round entertainers with the incredible ability to produce catchy melodies. Bound by friendship and the common goal of producing music that they are passionate about, Minus the Bear continue to take the world by storm.
Emo stalwarts Jimmy Eat World have been truckin' since the early/mid-90s, careening through venues across the world and honing their live show into a precise, well-oiled machine. Make no mistake though, they're not corporatised puppets – Jimmy Eat World retain the raw streak that made them so appealing at the outset of their career. Don't worry, they'll still make you bawl like a toddler who's dropped their ice cream with their tender balladry and grazed-knee emotion. Big numbers such as “Pain”, “A Praise Chorus”, “Sweetness” and “The Middle” are still stellar anthems from the Arizona natives in live settings, and though they've been going over twenty years, the voltage runs hot through the veins of Jim Adkins, Rick Burch, Zach Lind and Tom Linton when they coo, strum, pick and thwack. The energy and emotion courses through them as if each track was being played for the first time. Damaged and Invented may not have charted as well as their early records, but there's not one inkling that Jimmy Eat World are waning in quality. Head back in time, relive those emo years, or discover them for the first time – either way, there's so much to love about these living legends.
I don't know if it was the 3 months of anticipation or the fact that I had their whole discography on heavy rotation for an entire year up to this show, but it didn't live up to my expectations. The set list was largely a homogeneous set of tracks from all of their records, so while it hit every step of the band's history, it didn't really pull any of the songs that really stand out for me. Zeros, Cold Company, Lotus, Double Vision Quest… all absent. The set was well performed, but the sound was poorly mixed, with many of the more interesting tapped guitar parts being overwhelmed by the rest of the band. The bass stood out nicely, showcasing Cory Murchy's excellent playing, but Dave Knudson was totally buried. It just felt sort of muddy throughout (Was this possibly a remnant of O'Brother preceding them? I would hope the sound guy would be more competent than that.) The crowd was enthusiastic and clearly devoted, and the band got big cheers with each song. However there weren't any real surprises. Everything was played as it exists on the records. No acoustic arrangements, no experimentation or reinterpretations. It was basically just fine.
It’s a tough gig being the sensible ones in a band fronted by complete mentalists. Jim Ward, Tony Hajjar and Paul Hinojos probably had it tougher than anyone else as the rhythm guitarist, drummer and bassist (respectively) in one of the most influential punk bands of the last twenty years, At The Drive-In. It says a lot about the sheer amount of chaos that they created that the only reason why their new band Sparta could ever be considered sedate is in comparison to them. On their own merits, Sparta are a seething, pummelling post-hardcore band whose sound, equally accessible and serrated, lends itself perfectly to the live arena, with Jim Wards given far more room to show off what an expressive and commanding voice he has than he ever did in his old band. The bands live performance is also far more focused than the band that they made their name in, which means that every performance they put in is passionate, intense and deeply exciting. Not to mention how this band remains very much a cult concern, so every show they put on is a chance to see some of the true pioneers of underground rock do what they do best mere metres away from your very eyes. The band are currently busy making their fourth album but once they return they’ll be better than ever and a truly unmissable sight for any fan of emotional, intelligent rock and roll.