Line-up

Headliner
Stone Temple Pilots Last time in Seattle: 7 months ago

Venue

Northwest Washington Fair & Event Center

1775 Front St., 98264, Lynden, WA, US

www.nwwafair.com

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Additional details

Doors open: 19:00

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Stone Temple Pilots biography

Stone Temple Pilots (formed in 1985) is an American grunge, psychedelic and alternative rock band from San Diego, California, U.S.

Stone Temple Pilots, formerly known as Swing and Mighty Joe Young, was originally formed of frontman Scott Weiland, bassist Robert DeLeo, drummer Eric Kretz and guitarist Dean DeLeo. As Mighty Joe Young the band recorded and released a demo in 1990, many of which tracks featured on the band’s debut LP. After developing a fan base by playing regularly in the San Diego area they were informed the name Mighty Joe Young had already been claimed and thus came Stone Temple Pilots.

The band signed with Atlantic Records in 1992, the same year Stone Temple Pilots released their debut album “Core” which peaked at No. 3 on the Billboard 200. The album claimed significant commercial success, however the band were seen by the critical press as grunge imitators, copying the revered band such as Pearl Jam and Alice in Chains.

Stone Temple Pilots debuted the song “Big Empty” on an episode on MTV Unplugged in 1993 in anticipation of their sophomore album “Purple” in June 1994. Selling over three million copies in just four months, “Purple” was led by the hits “Vasoline” and “Interstate Love Song”.

Taking a more glam rock, psychedelic rock direction Stone Temple Pilots’ third studio album “Tiny Music… Songs from the Vatican Gift Shop” was recorded at a rented mansion in Santa Barbara, California, U.S. The album was a favourite of the band’s among critics although it failed to hold such popular commercial appeal as its predecessors. After the release Weiland, who had previously struggled with a heroin addiction, relapsed and the band cancelled their tour and support lot on Kiss’ reunion tour.

The band without Weiland under the moniker Talk Show released one eponymously titled album in 1997 before calling it a day. A year later frontman Weiland released his debut solo album “12 Bar Blues” in 1998 to moderate critical acclaim. The same year Stone Temple Pilots reunited and began work on “Shangri-La Dee Da” which got its release in the summer of 2001, although with a lack of label promotion the album was a commercial disappointment.

In 2003 label Atlantic Records pushed a greatest hits album, and frontman Weiland formed the successful supergroup Velvet Revolver with Guns N’ Roses members Slash, Matt Sorum and Duff McKagan and former Wasted Youth guitarist Dave Kushner. After releasing two album “Contraband” in 2004 and “Libertad” in 2007, Weiland left the group.

Stone Temple Pilots’ members reconciled with one another at a private beach party they were asked to play which led to the announcement of a 65-date North American tour and an appearance on Jimmy Kimmel Live! Shortly after in 2008 Weiland released his sophomore solo album ““Happy” in Galoshes” and the Stone Temple Pilots release a self-titled sixth studio album on May 25, 2010.

In 2013 it was announced Weiland had been fired from the group and his official replacement Chester Bennington of Linkin Park. Stone Temple Pilot's include Bennington release the single "Out of Time" in May 2013.

Live reviews

If Scott Weiland is sober, he could’ve fooled me. Sober or not, I have to say Scott and the rest of Stone Temple Pilots are proving they arn’t just some over-aged rockers trying to cash in on a fading popularity. I only saw STP once in their heyday, at SDSU in 1995. I have now seen them 3 times in as many years since their reunion and they have never let me down, as improbable as that might sound. When STP announced their comeback in 2008 I probably would have laughed it off if I had not seen Velvet Revolver rock the shit out of the Live 8 stage in London a couple years prior. That show made me a believer in Weiland‘s rock-star skills, if not in his new found sobrity. The Berkeley stop was not only nostagilic, as I hoped it would be, it was a kick-ass rock show. This didn’t seem like a band just reliving the 90′s; they seemed current, fun and non-apologetic. They did the same thing at the Fillmore here in Denver the next year. I had serious doubts Weiland, who now resembles Eminem in his wife-beater, would make it long enough for me to see them once, much less twice. And now, here we are, 3 years later and they are headliningg Red Rocks…in support of a new album?!!! An album that doesn’t live up to their first 2, but is actually pretty damn good?!!! What the hell is going on? Unfortunately for STP, there is a difference between 2010 and 1995. In 1995 they would have been able to sell out back-to-back nights in any given city. In 2010 it’s hard to sell out two venues in the same city within an 8 month period. The Fillmore show was pretty packed last October. Red Rocks was much less so on Tuesday night. That being said, those who didn’t make it missed a great rock show. The weather was perfect; it doesn’t get much better than a warm evening with a cool breeze coming through Red Rocks. STP performed all their major hits like Wicked Garden, Interstate Love Song, Vasoline and Sex Type Thing. They did 4 or 5 from the new album, of which Huckleberry Crumble really resonanted live…a down and dirty blues number. A real highlight for me was Still Remains, a song from Purple they had not performed live in over 12 years. That, along with a cover of Led Zeppelin‘s Dancing Days, both brought me back to the carefree days of beach living in San Diego. The encore of Dead & Bloated and Trippin’ On a Hole in a Paper Heart (dedicated to the troops) ended the night right. To be honest, I wasn’t going to attend this show, but my wife had never seen them and we were able to score 15th row seats. The sound was amazing down there and the light show was pretty impressive. This was one of the few shows I have seen where the band didn’t prefer the natural rock backdrop on this iconic stage. But even though STP were labeled grunge, they always tilted away from that scene and more toward the glam of L.A.’s sunset strip…so I can see them prefering an over-the-top light show vs. some old red rocks.

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