Marc Anthony grew up in East Harlem to Puerto Rican parents Guillermina and Felipe Muñiz, the youngest of eight children. Anthony grew up listening to a combination of Latin musicians including Hector Lavoe, Willie Colón and Rubén Blades and contemporary pop songs by the likes of Air Supply and Josê Feliciano. Introduced to music theory by their father Anthony and his sister were discovered by demo and commercial producer David Harris, who hired Anthony to sing in the background of a number of productions.
In his early career Anthony worked as a session vocalist for a number of Latin and undergrounds acts in New York City, U.S. This included writing and producing “Boy, I’ve Been Told” for friend and freestyle artist Sa-Fire, which became a Top 40 Hop-Hop Hit, and subsequently sung on Sa-Fire's album.
Marc Anthony’s debut album “When the Night Is Over,” released in 1991, was recorded with the assistance of DJ and producer Little Louie Vega, in a Latin hip-hop style and featured the track “Ride on the Rhythm”, which topped the Billboard’s Dance Music Chart. Anthony’s second album entitled “Otra Nota” was produced by the well known producer Sergio George and was widely agreed it represented Anthony’s salsa style and Latin roots far more than previous releases.
On the wave of acts like Ricky Martin and Enrique Iglesias who managed to maintain the appeal of Latin music within mainstream pop, Anthony released a self-titled English language album that had a measured public appeal, reaching the top ten in the Billboard Album Chart.
Since then Anthony has continued to release number of albums and collaborations, contributing to him being the top selling Tropical Salsa artist of all time, having sold over 12 million albums worldwide.
Anthony has won two Grammy Awards one for Best Tropical Latin Album for “Contra La Corriente” and Best Latin Pop Album for “Amar Sin Mentors”, along with four Latin Grammy Awards. Has won two American Music Awards and no less than 23 Billboard Latin Music Awards. In 2009 Anthony was the recipient of the highly prestigious Congressional Hispanic Causcus Institute’s (CHCI) Chair’s Award.
From a young age Colombian Juan Fernando Fonseca had developed a passion for music, a passion which was encouraged by his parents. At the age of 12, the budding musician recorded his debut song which he later sold to friends and family. Fonseca subsequently attended Pontificia Universidad Javeriana studying music as well as the Berklee College of Music in Boston, where he expanded his musical and performance skills. Upon returning to Colombia, Fonseca recorded his debut album “Bomba de Tiempo”, which he flogged door-to-door and in small bars.
In 1977 the singer-songwriter and guitarist met Colombian musician José Gaviria who attempted to get him signed to the U.S. label Sonolux. The deal remained in the works until 2002, when Fonseca signed a three album deal with the EMI Capitol imprint Líderes Entertainment Group. The singer’s official self-titled, debut album was subsequently released in February 2002 in Colombia, and earned its international release three years later in 2005. Spawning the singles “Mangangué”, “Noche de Carnaval”, “Sueño”, and “Confiésame”, the album is epitomised by the tropipop sound, popularised by Carlos Vives’ musical output. The success of the album led the singer-songwriter to tour alongside Shakira and Juanes, and raised his profile to new, international levels.
Released in May 2006, Fonseca’s sophomore full-length, “Corazón” saw the singer build on his success with the album rising to No. 7 on the U.S. Tropical Albums Chart. Combining the thematically Latin vallenato, bullerenuge and tambora rhythms with Western influenced pop/rock, the record was well-received, aided by the singles “Como Me Mira”, the Latin Grammy-winning “Te Mando Flores”, and “Hace Tiempo”. Led by the singles “Enrédame”, “Arroyito”, “Paraíso”, and “Estar Lejos”, Fonseca’s third studio album “Gratitud” appeared in May 2008. The full-length “Ilusión” followed in 2011, earning a Grammy nomination for Best Latin Pop Album.
Marco Antonio Muñiz better known by his stage name Marc Anthony is one of the top selling Tropical artists of all time in the US. He is a showman through and through and his background in both music and television really aids him onstage.
He has a huge discography with over ten albums and since the first in 1991 he has gained a large following of his tropical/salsa mash-up. He has also had a string of huge hits on the US Latin charts so clearly the demand to see Marc Anthony live is huge. You only have to listen to the rapturous cheers in the venue as the lights dim and the singer prepares to take to the stage.
Arriving in animated fashion, he begins with uptempo 'I Need To Know' which keeps the crowds dancing below. A lavish stage setup illuminates the whole show and Anthony proves himself to be a classic performer during 'Aguanile'. He continually acknowledges and thanks the crowd for their support and singing throughout. A sincere rendition of 'Tu amor me have bien' winds down an enjoyable evening in the company of a classic singer.
Juan Fernando Fonseca better known by his surname onstage is one of Colombia's most respected international performers and musicians. Studying at the prestigious Berklee College of Music in Boston, Fonseca has always been determined to realise his dream to be a celebrated and successful musician and this reality was realised following on from the release of his debut self titled album in 2002.
Since then he has recorded and released three more albums and his following has expanded across countries much to the delight of the artist who gets to travel all over with his music. There is a look of complete and utter delight as he steps onto stage and hears the cheer of the crowd. Taking his place rather uneasily to begin with, he soon eases into the performance after playing some recognisable notes on his guitar. After his Grammy nomination, he does seem to be more noticeable on the scene but it is nice to see the fans embracing all of Fonseca's tracks. He says warm thank yous towards the end as the crowd rain more applause and gratitude on this unassuming singer/songwriter.