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Their music has removed much of the harsh edges heard in the early forms of grunge; however, it is still grounded in rock music, even stretching in more obscure forms such as black metal (ex. Danzig and Black Sabbath) and freak funk ruffian rock (ex. Red Hot Chili Peppers and Jane’s Addiction).
The group formed in 1990 initially under the name Uncle Duke; however, they changed it to Candlebox upon receiving inspiration from the Midnight Oil song “Tin Legs and Tin Mines”. The band’s original lineup consisted of vocalist/lead guitarist Kevin Martin, drummer Scott Mercado, guitarist Peter Klett and bassist Bardi Martin. Within a year of the band’s formation they were playing in Seattle’s trendiest clubs and by 1992 they scored a record deal with Madonna’s Maverick label.
Their first official release, the 4 track EP “Change” was issued in 1993 as well as their self titled debut. Their self-titled LP acted as breakthrough to mainstream success for the band, peaking at No.7 on the charts and selling over 4 million copies worldwide. This album housed 4 singles including the top 20 Billboard hit “Far Behind”. Frequent air play, high profile concerts and frequent television appearances trailed behind this release. This endless stream of successes also earned them a headlining spot at the Woodstock ’94 festival.
The group’s ascent into stardom seemed to awaken a creative streak and by the Spring of 1994 they had composed a total of 36 songs. Their next album “Lucy” featured 12 of the songs. Though the album was overshadowed by the prosperity of their previous release it nevertheless received heavy rotation on the radio and reached gold status. The album produced three singles, all which were translated into music videos (acclaimed filmmaker Gus Van Sant directed the video for “Understanding”).
The band’s 3rd studio album “Happy Pills” came out on 21 July 1998 and featured the hit “It’s Alright”. Also around this time they released the single “Glowing Soul”, which self-professed fan Adam Sandler specifically requested for the movie “The Waterboy”. “Happy Pills” marked the last album the band would release through Maverick and also the last they would release before disbanding. From 1999 to 2000, Candlebox lost two of it’s founding members, leaving Martin as the group’s sole originating member. The band imploded in 2000 and failed to satisfy their contractual agreement with Maverick, which required the band to output four studio albums through them.
Throughout the bulk of the 2000s Candlebox’s members pursued various side projects; however, they reformed in 2006 and issued a greatest hits compilation through Rhino later that year. The band’s 4th long waited studio album saw release in 2008 and cemented a 10 year gap between the release of their previous studio album. “Love Stories & Other Musings” came out on 3 April 2012 and entered the US Billboard 200 at No. 82 and the US Independent Chart at No. 17.
It seemed that everyone and their dogs had tightly packed into the Showbox Theatre for Candlebox's return to Seattle. Heading back to the place that made them famous, the pressure was on. However, there was no doubt in my mind that this would be a show to remember. The lights dropped, the band struck a few anticipatory chords, and Kevin swaggered on stage. Usually, the beginning of concerts are slightly awkward – noone's quite drunk enough and the band aren't entirely comfortable – but we were put at ease right from the word "go." Kevin playfully frolicked between the band and the audience, wearing his heart on his (well-tailored) sleeved with a voice filled with both energy and agility. All that was required of the other musicians was to follow him with understated confidence. Fortunately the venue was large enough to accommodate Kevin's voice and stage presence, yet had the same sense of intimacy as in smaller venues that I've seen them perform. Although the group was elevated above the crowd, Kevin was poised right at the edge of the stage and kept us involved. Hackneyed it may be, but "Far Behind" was the highlight without a shadow of a doubt. A fairly bias view as it's a personal favourite, but Kevin's note-perfect rendition against the strobe lighting and the passion of the audience and the band palpable in the air made for an experience that will stay with me for years to come. I will never tire of hearing it live. Frankly, the songs, the sweat and the strobes were sometimes corny and some unheard material wouldn't have gone a miss, but nevertheless Candlebox delivered an electrifying performance to their legions of avid followers.
It’s important not to confuse The Verve Pipe with their similarly, but ultimately more simply, titled British counterparts, fronted by Richard Ashcroft, but honestly, there’s probably not too much danger of that; whilst the ‘Bittersweet Symphony’ men have enjoyed the lion’s share of their success in their native UK, so have The Verve Pipe seen most of their highs take place on their own side of the Atlantic. In 1996, the Michigan outfit released their first major label album, Villains, and saw one of its singles, ‘The Freshmen’ go to number five on the U.S. charts; ever since, they’ve maintained a strong cult fanbase. After follow-up efforts The Verve Pipe and Underneath both fared strongly in terms of radio play, if not on the charts, they spent time pursuing other interests before dropping the children’s album A Family Album in 2009. They toured intimate venues in support of it, with the shows markedly different from their usual, noisy affairs; the acoustic guitars came out as they put some distance between themselves and their grungy, nineties sound. They might well return to it, though now that they’ve released their first proper record in over a decade, Overboard, this past June; they’re planning to tour in support of it, so nineties nostalgists should look out for UK dates.
Joeg_67
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