Concert in your area for Rock, Metal, and Indie & Alt.
Their music has removed much of the harsh edges heard in the early forms of grunge; however, it is still grounded in rock music, even stretching in more obscure forms such as black metal (ex. Danzig and Black Sabbath) and freak funk ruffian rock (ex. Red Hot Chili Peppers and Jane’s Addiction).
The group formed in 1990 initially under the name Uncle Duke; however, they changed it to Candlebox upon receiving inspiration from the Midnight Oil song “Tin Legs and Tin Mines”. The band’s original lineup consisted of vocalist/lead guitarist Kevin Martin, drummer Scott Mercado, guitarist Peter Klett and bassist Bardi Martin. Within a year of the band’s formation they were playing in Seattle’s trendiest clubs and by 1992 they scored a record deal with Madonna’s Maverick label.
Their first official release, the 4 track EP “Change” was issued in 1993 as well as their self titled debut. Their self-titled LP acted as breakthrough to mainstream success for the band, peaking at No.7 on the charts and selling over 4 million copies worldwide. This album housed 4 singles including the top 20 Billboard hit “Far Behind”. Frequent air play, high profile concerts and frequent television appearances trailed behind this release. This endless stream of successes also earned them a headlining spot at the Woodstock ’94 festival.
The group’s ascent into stardom seemed to awaken a creative streak and by the Spring of 1994 they had composed a total of 36 songs. Their next album “Lucy” featured 12 of the songs. Though the album was overshadowed by the prosperity of their previous release it nevertheless received heavy rotation on the radio and reached gold status. The album produced three singles, all which were translated into music videos (acclaimed filmmaker Gus Van Sant directed the video for “Understanding”).
The band’s 3rd studio album “Happy Pills” came out on 21 July 1998 and featured the hit “It’s Alright”. Also around this time they released the single “Glowing Soul”, which self-professed fan Adam Sandler specifically requested for the movie “The Waterboy”. “Happy Pills” marked the last album the band would release through Maverick and also the last they would release before disbanding. From 1999 to 2000, Candlebox lost two of it’s founding members, leaving Martin as the group’s sole originating member. The band imploded in 2000 and failed to satisfy their contractual agreement with Maverick, which required the band to output four studio albums through them.
Throughout the bulk of the 2000s Candlebox’s members pursued various side projects; however, they reformed in 2006 and issued a greatest hits compilation through Rhino later that year. The band’s 4th long waited studio album saw release in 2008 and cemented a 10 year gap between the release of their previous studio album. “Love Stories & Other Musings” came out on 3 April 2012 and entered the US Billboard 200 at No. 82 and the US Independent Chart at No. 17.
The story of Sponge begins, like so many other bands, with an earlier, failed attempt at rock-stardom. Loudhouse was formed in the mid-1980's by drummer Vinnie Dombrowski along with guitarists Mike Cross and Joey Mazzola, and they would go on to become a tried and tested almost famous story. They released a debut album on Virgin in 1988 before losing their record contract and splitting at the dawn of the 1990s, but Dombrowski, Cross and Mazzola weren't done. Deciding to form their own band, Dombrowski switched from drums to lead vocals, and the trio recruited Mike's brother Tim Cross on bass along with drummer Jimmy Paluzzi, christening the new group Sponge in 1992.
Previously playing a brand of gritty hard rock that most thought had been left dormant since the mid-70's, the new band incorporated influences cribbed from the fast exploding grunge movement, and struck gold very quickly as a result. By 1994, two years after they came together, they had signed a record deal with Columbia and released “Rotting Piñata”, their debut studio album. Thanks to the radio success of its singles “Plowed” and “Molly”, the album was a sleeper hit, eventually selling over half a million copies to be certified Gold by the RIAA. While the band were never able to match that record's commercial success, they quickly settled comfortably into their role as elder statesmen of alternative rock, remaining to this day a cult act still able to tear it up live and release records that are still as vital as they were in their commercial heyday. For that, they come highly recommended.
It seemed that everyone and their dogs had tightly packed into the Showbox Theatre for Candlebox's return to Seattle. Heading back to the place that made them famous, the pressure was on. However, there was no doubt in my mind that this would be a show to remember. The lights dropped, the band struck a few anticipatory chords, and Kevin swaggered on stage. Usually, the beginning of concerts are slightly awkward – noone's quite drunk enough and the band aren't entirely comfortable – but we were put at ease right from the word "go." Kevin playfully frolicked between the band and the audience, wearing his heart on his (well-tailored) sleeved with a voice filled with both energy and agility. All that was required of the other musicians was to follow him with understated confidence. Fortunately the venue was large enough to accommodate Kevin's voice and stage presence, yet had the same sense of intimacy as in smaller venues that I've seen them perform. Although the group was elevated above the crowd, Kevin was poised right at the edge of the stage and kept us involved. Hackneyed it may be, but "Far Behind" was the highlight without a shadow of a doubt. A fairly bias view as it's a personal favourite, but Kevin's note-perfect rendition against the strobe lighting and the passion of the audience and the band palpable in the air made for an experience that will stay with me for years to come. I will never tire of hearing it live. Frankly, the songs, the sweat and the strobes were sometimes corny and some unheard material wouldn't have gone a miss, but nevertheless Candlebox delivered an electrifying performance to their legions of avid followers.
A true eccentric band of the 90s were Detroit alt-rockers Sponge who achieved mainstream success following the release of 'Rotting Piñata' which included the single 'Molly (16 Candles Down the Drain)'. Since these initial chartings, lead singer Vinnie Dombroski has lead a variety of musicians onto stages around the globe to perform a discography that now stands at seven albums.
The stage show has been carefully considered with the lighting, visuals and instrumentalists coming together to create an overall surrealistic rock experience. Sponge were always known for their flare so it is nice to see an amount of this has remained present in the years that followed. Fans old and new pack into the venue to hear classic material such as 'Wax Ecstatic (To Sell Angelina)' and 'Rainin'' bought into the modern day with reimagined arrangements and extended instrumentals in order to showcase the current touring band. Although the show is brief, the fans have seen what they came for and the band has really performed for the masses. They reappear once more for 'Fade From View' so the audience can jump along one last time.