CHIP

Mad mad mad mad mad mad mad mad mad mad mad mad mad mad mad mad mad mad mad mad mad mad mad mad mad mad mad mad and madder

Hate him or tolerate him, there’s no real question that Dappy remains one of the most colourful characters that the British music scene has borne witness to over the past few years; whatever his personal transgressions, too, it’s worth noting that during their heyday - admittedly one that was something of a blink and you’ll miss it affair - Dappy’s group, N-Dubz, did an impressive job of reaching out to a certain section of youth society, making music that, irrespective of its critical worth, spoke to kids living in urban areas on their level, about what they knew. That’s why it was disappointing, then, that Dappy’s short-lived solo career seemed like little more than an attempt to become a pop star in his own right; he assumed a kind of rapper-lite persona, bragging about his alleged superiority on ‘Rockstar’, a track that inexplicably featured Queen legend Brian May on guitar. Dappy did tour intimate venues across the UK, too, in support of debut album Bad Intentions; with a full live band, he ran through his own material and choice N-Dubz cuts, but in the years since, legal troubles and a focus on television appear to have curtailed his music career.

The support act... Mokabkast... Was a lot better than her..they wer awesome!!!!!awesome, awesome awesome awesome awesome awesome awesome awesome awesome awesome awesome awesome awesome i would pay to see them live again without lady leshurr included.

Stephen Paul Manderson better known by his stage name Professor Green is without a doubt one of the worst performers on the live circuit. His music, which sits somewhere between spoken word and grime feels like a poor man's Eminem and his vocal tone is just absolutely horrific.

Having stumbled across his show at a festival after being led by friends, he is one of the most arrogant and self assured people I have ever seen take to a stage. He barely acknowledges the audience apart from to tell them to cheer louder for his apparent 'hits'. There is a clear reason as to why the Americans have not paid him as much as a passing glance and his commerciality is fast diminishing in the UK. He has future Big Brother contestant practically tattooed on the other side of his neck, yet with his attitude and mannerisms he is likely to be ejected by day four after head butting somebody who doesn't understand the apparent importance of 'I Need You Tonight'.

“They call me the Stryderman, top East London writer man” is the lyric I seem to recall that Tinchy Stryder burst onto the UK grime scene with, back in 2008; you have to wonder whether he knew then, though, that it was a song that would herald his arrival on the charts proper, prefacing as it did his debut album, Catch 22, which would end up dropping the following summer and charting at a peak of number two. From there on out, Tinchy looked unstoppable, following Dizzee Rascal’s lead by moving from grime to rap and dance pop and becoming a household name in the process; it was a crossover that afforded Stryder huge chart success, with his single ‘Number 1’ becoming the first song in history to actually reach that position on the charts. His quick-fire follow-up album, Third Strike, was a commercial disappointment, reaching only number forty-eight in the UK, but Stryder has remained an energetic live performer, packing out intimate rooms across the country backed by just a turntablist. He’s currently working on album number four, and his prospects once he does resurface shouldn’t be written off; he’s not hit thirty yet and already has achieved more than most do in a lifetime.

Wiley was born 'Richard Kylea Cowie' and he is an English hip hop artist and rap mc. Among his talent arsenal is also songwriting and record producing and he has produced many mainstream hit singles. He was first known as an mc producing underground grime music which is a form of British music that emerged in Bow, London. Even while he was growing in popularity as an mc of the newly debuted grime underground scene, Wiley simultaneously produced multiple crossover hit singles that reached the top ten charts with songs like "Wearing My Rolex", "Never Be Your Woman", and "Heatwave".
After crashing onto the mainstream stage with his uncanny success, Wiley began collaborating with other UK artists earning him a reputation as a highly versatile artist. You can see Wiley's love for music when he performs live as he carries himself with a passionate and charismatic professionalism. Wiley loves to perform underground clubs and stays true to his hip hop roots as a recording artist and producer making him a fan favorite in the UK.
You'll be hard pressed to find a more devoted up and coming artist who has taken the world stage by storm with his talent and flows.

Yungen was amazing at Jamaica house, an experience me and my brother will never forget. He made the night with his brilliant vibe and really got the house GOING WITH BESTIE OMLLLLL --- until next time babes