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Father John Misty was born Joshua Tillman to an evangelical Christian family in Rockville, Maryland. Despite being a “pretty aimless kid”, in his words, from a young age Tillman was taken with the idea of being a performer. However, since secular music was forbidden in his house, the closest thing to it that he could aspire to be was a pastor, which was his ambition until the age of 17. That was the age he was at when his parents allowed him to listen to secular music that had a “spiritual theme”, leading him to discover albums like Bob Dylan’s “Slow Train Coming”, which completely changed his life.
Tillman was already musical, having learnt the drums as a child, and then picked up the guitar at 12. Once he was able to listen to the albums that influenced him most he began to write songs, and then at the age of 21 he moved from his native Maryland, to Seattle, Washington in 2002. One of his first demos found its way to Seattle based singer-Damien Jurado, who was so impressed that by the age of 22, Tillman was opening for him on tour. After extensive touring and distributing his demos at shows for free, independent label Fargo Records released Tillman’s first solo album “Minor Works” in 2006, along with his albums “I Will Return” and “Long May You Run” in the same year as a double disk set.
In 2007, another album of Tillman’s was released called “Cancer and Delirium”, meaning that Tillman was an artist who’d released four studio albums of entirely original material in two years. For such a prolific artist, it’s a testament to his creative spirit and lack of ego that he’d then join Fleet Foxes the following year as their drummer, without any involvement in their writing process. Despite him touring with the band extensively, his solo albums still got him signed to Western Vinyl in 2009 where another two albums of his were released the same year. He stayed touring with Fleet Foxes until 2012, when he played his last show with them, changed his stage name from J. Tillman to Father John Misty and made a break for the mainstream.
Since then he’s become something of a songwriter’s songwriter, still releasing stellar solo albums, touring the world to ever increasing crowd sizes and working with everyone from rapper Kid Cudi to Parks and Recreation actress Aubrey Plaza. He’s the kind of artist that could have found success whenever he started, and we should be thankful that we’re around to see his prime. Highly recommended.
Thursday February 26th. Village Underground. Father John Misty. It’s the three amigos and the twin towers tonight. After the usual pre gig banter revolving around music and football it’s off to a sold out Village Underground. The venue is essentially a long thin railway tunnel and by the time we get in the place is heaving with tall thin beardy blokes and we take a perch at the back on the elevated section.
Josh Tillman latterly the drummer of the Fleet Foxes or the ooeeaaah band as I called them has ventured on his own under the Father John Misty moniker with two fine albums after what could politely be described as a number of dirgey ones under his own name.
This new character and that’s what it is, is a compete contrast to the introverted hairy drummer hiding at the back of the stage behind his kit. He has metamorphosed into an extravagant front man who dances maniacally all over the stage and into the crowd in something of a cross between Basil Fawlty, Jarvis Cocker and a giraffe.
His humour shines through the whole set not just in his clever lyrical word play but the between song banter too. This can often be awkward with other performers but he handles hecklers and particularly a crowd surfer with equal disdain. With the latter commenting that when he wrote Chateau Lobby in C for two virgins he hadn’t envisaged a tall man with a beard in a leather jacket on someone’s shoulders coming toward him.
He makes ironic comments around this greatest hits set but with one night already sold out in Shepherds Bush later this year a second one added his new found appeal cannot be questioned.
It’s a good mix of songs from both albums and his voice shines through even on the electric numbers. My personal favourites the Richard Thompsonesque ‘I’m writing a Novel’ and the thrashy ‘Hollywood Forever Cemetery Sings’ stand out but special mentions for ‘Only Son of the Ladiesman’ and ‘Strange Encounter’ from the new album. It’s a tight six piece band with the excellent David Vandervelde (check out his album ‘Waiting for the Sunrise’) on guitar.
A great night for an artist whose star is starting to shine in his own right.