Für Fans von: Indie & Alternative, Pop, Elektronisch, und Klassisch.
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Originally formed under the moniker Asphalt Ribbons, the band had a wide line-up that included Stuart Staples on vocals, Dave Boulter on organ and accordion, Neil Fraser on guitar, Dickon Hinchliffe on guitar and strings, Al Macauley on drums, and John Thompson on bass. Thompson soon left and Mark Colwill took his place now under the name Tindersticks.
After recording a series of demo tapes and starting their own label Tippy Toe Records, Tindersticks released their debut single “Patchwork” along with “Marbles” in 2003. Following the release the band signed to This Way Up records through which they issued their infamous self-titled debut. The album released in 2003 earned rave-reviews and critical acclaim after which Tindersticks became a notoriously well-received live band and released the live album “Amsterdam” in 2004.
After the re-release of their eponymous debut album in the U.S., the band released their sophomore untitled album, which much like their first found its way onto many Best-of album lists of the year. The album was followed by another live release titled “Bloomsbury Theatre” in November 1995.
1996 was spent recording and releasing the soundtrack to the Claire Denis film “Nénette et Boni” featuring both old and new material and the re-worked track “A Marriage Made in Heaven”, which appeared on their third studio album “Curtains” (1997). Its follow-up “Simple Pleasure” (1999) was strongly influenced by soul music and featured female backing vocals on a number of tracks.
Following the release came a new record deal with Beggars Banquet through which the band released “Can Our Love…” (2001) which adopted the same soulful approach and was followed by providing the soundtrack to another Claire Denis film “Trouble Every Day”. After releasing their stripped-back sixth studio album “Waiting for the Moon” lead singer Staples went solo and released two albums.
During this period members Hinchcliffe, Colwill and Macauley left the group, and were replaced by Terry Edwards and a handful of other musicians who contributed to the band’s seventh LP “The Hungry Saw” in 2008. The album was followed-up by “Falling Down a Mountain” in 2010 with another revised line-up and tour of the UK in support.
In 2011 Tindersticks were asked to provide the permanent soundscape to a commission by the In Flanders Fields World War One Museum in Ypres, Belgium, which ended up as the album “Ypres” in 2014. “The Something Rain”, the band’s ninth studio album was released in February 2012, featuring the notable first single “Medicine” and followed by another collaboration with Claire Denis for the soundtrack to “Les Salauds”.
Chamber pop doesn’t seem to be all that popular these days - perhaps it’s in line for a revival? - but there’s obviously a degree of commercial viability to it, because Tindersticks have managed to eke out a living over the course of a career that spans more than twenty years by adhering to a mix of that genre and indie pop. In the nineties, they carved out a dedicated cult fanbase, thanks in so small part to the feverishly positive critical reception that met records like Tindersticks (their second LP under that name, which was also their biggest hit in the UK, going to number thirteen on the album charts), Curtains and Simple Pleasure. They reformed - kind of - in 2008, after a five year hiatus, and continue to record and play live to this day; they’ve gone from strength to strength in the latter department, playing as a six-piece and bringing an additional multi-instrumentalist on the road with them; the instrumentation ranges from synth to saxophone. In 2011, they toured the UK in traditional concert halls, playing cuts from their six Claire Denis film scores; since then, they’ve returned to more conventional shows, not that that means much in the world of Tindersticks; it’s usually best to expect the unexpected.
Joeg_67
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