It may not be immediately apparent, but the Scissor Sisters can safely be called one of the few genuinely subversive pop stars in recent years. Think about it, how many other bands have won three BRIT Awards and one Ivor Novello, sold two million copies of their debut album in the UK alone, have completed several sold out arena tours and have headlined major festivals in the same country, all the while being named after a lesbian sex act? The list, dear reader, is very short. The best way of directly experiencing just how expertly they straddle the line between mainstream pop sensations and edgy, underground club fiends, I hear you ask? You need only see them live. Both Jake Shears and Ana Matronic were born to front a band and together, they’re unstoppable. Shears dances up a storm with his falsetto ringing out perfectly, losing more and more clothing as the gig goes on, while Ana takes a more commanding role, toasting the audience mid song while providing lead and backing vocals for every pulsating disco classic. Every aspect of the band is magnified in the live arena, transforming every venue they play from theatre to arena to festival into a club night at the end of the world, that no-one’s going to be quite the same after, but no-one would have it any other way. For the kind of fun that you can’t wash out afterwards, nobody does it quite as well as the Scissor Sisters.
Spiritualized
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