Pour les fans de Rock, Pop, et Folk & Blues.
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Born in Highgate, North London, England on 10 January 1945 and the youngest of five children, Stewart considered a career as a footballer before ultimately pursuing a career in music. In 1962 Stewart began spending time with Wizz Jones, a folk singer, and together they started to perform around England, Paris and even Barcelona, finding places to sleep under bridges. The following year Stewart picked up his signature Mod look, including his famous spiky rooster hairstyle. It was also the same year he became fascinated by R&B and soul music. He also joined his first paying musician job as a harmonica player and part-time vocalist with the R&B group, Dimensions.
Early in 1964 Long John Baldry discovered Stewart and invited him to play with his group the All Stars (renamed The Hoochie Coochie Men). As he started to gain more confidence as a performer on stage, Stewart would be billed as Rod the Mod. Later that same year he was scouted by Decca Records and signed his first solo contract resulting in his first single “Good Morning Little Schoolgirl.” In July 1965 Stewart became part of the group Steampacket and supported The Rolling Stones.
By early 1966 Stewart departed Steampacket and found his way into the Jeff Beck Group as a vocalist and occasional songwriter and continued to tour with them around Europe and hit the United States in June 1968. By August the group released their first album “Truth,” but despite it’s widespread success the band fell apart and by October 1968 Stewart signed a solo contract with Mercury Records by his 1971 released the album “Every Picture Tells a Story” that really started to get his career on an upward spiral. With another album under his belt, by 1975 Stewart made the move to Los Angeles, California and released “Atlantic Crossing.” He reached the pivotal point in his career three years later with the release of the iconic “Do Ya Think I’m Sexy” single, despite all of the criticisms about the lyrics.
As the times changed so did Stewart’s style; taking on a more new wave direction in the 80s. Unfortunately this resulted in mixed reviews of the albums that he released during this time. However things went back to stable with his 1988 release of “Out of Order” which had such hits as “Forever Young,” “Crazy About You,” and “My Heart Can’t Tell You No.” His following albums charted just as high and by 1994 he was inducted into the Rock & Roll Hall of Fame. The 90s saw him signing with Clive Davis’ new label J Records.
The 2000s was full of continued success. He concentrated on working on some of the best pop songs from the 1930s and 1940s called “The Great American Songbook,” and a second “As Time Goes By: the Great American Songbook,” going up to four of these albums. Unfortunately in May 2000 he was diagnosed with thyroid cancer, resulting in him going into surgery and having to “relearn” how to sing. To this day he continues his strong career and has released a tell all with his autobiography “Rod: The Autobiography.”
Marx’s career started aged 5, when he would sing jingles written by his father, who owned a commercial jingles company. It was when he was 17 that one of his demos ended up in the hands of Lionel Richie who invited Marx to sing on his debut solo album. Marx flew over to Los Angeles after his graduation to find himself singing on the songs “You Are”, “Running with the Night” and “All Night Long (All Night)”. His session singing career snowballed and he found himself singing for artists such as Madonna and Whitney Houston, which eventually turned into a songwriting career. He offered his song “Crazy” to Kenny Rogers, who recorded it, and also took the song “What About Me?” which featured the writing credits from James Ingram and Kim Carnes.
Marx finally released his eponymous debut album in June 1987, which would go on to sell almost four million copies in the US. The huge sophomore album “Repeat Offender” knocked Prince off the number 1 spot on the Billboard 200. The album would go triple platinum and eventually sold 5 million units in the US alone. It was the first two singles “Satisfied” and “Right Here Waiting” that went to number 1 in the Hot 100. He followed the success of this album with an international tour that included a visit to the Royal Albert Hall in London.
His third Platinum album “Rush Street” released on October 28th 1991 unfortunately didn’t quite achieve the success of the previous two albums, making it to number 35 in the Billboard 200 charts. Unfortunately, from the album “Flesh and Bone” released on April 8th 1997 until “Beautiful Goodbye” released on July 8th 2014, Marx chart success declined slightly, but it certainly didn’t have hinder on his biannually royalties check.
Whatever you think of Rod Stewart, you can’t reasonably accuse him of lacking a sense of humour. On his last arena tour of the UK, in the summer of 2013, his performance of "Do You Think I’m Sexy" saw an array of old newspaper cuttings about him flash up on the giant screens, with one proclaiming “ROD: I DON’T WANT TO BE SINGING ‘DA YOU THINK I’M SEXY’ WHEN I’M SIXTY.”
Next January, of course, he’ll be seventy, and yet like so many of his contemporaries - his old Faces bandmate and drinking partner Ronnie Wood springs to mind - he’s still going strong. It’s actually astonishing how well his husky style of crooning has held up over the years, especially given the struggles he’s had with his throat in recent years; he’s still touring hard, though, and frankly sounding better than ever. These days, you can expect all the hits - "Maggie May," "You’re In My Heart," "Hot Legs" all present and correct - and, of course, a slew of covers. He’s still up to some of his old stage tricks, too, kicking footballs into the audience, and wearing his heart on his sleeve with an exquisitely-designed Celtic FC drum logo. Rumours of a Faces reunion continue to swirl, if Wood ever does get time off from the Stones; if so, Rod should be game - he’s a long way from reaching for the pipe and slippers yet.
Richard Marx has been a billboard-topping, Grammy-winning hit-maker since the 1980s, as both a talented pop-rock writer/ musician in his own right, and with his songwriting- creating songs for huge acts such as Keith Urban’s Long Hot Summer, the N*Sync hit This I Promise You (remember them? That song was huge!) and Luther Vandross’ last hit record, Dance With My Father.
When I saw Marx at the elaborately ornate Shepherd’s Bush Empire venue in London in 2010, he played these songs, in his own impeccably classic style, and Dance With My Father was performed as a poignant tribute to a “dear absent friend”. The setting and atmosphere (picture lavish red velvet curtains and seats, Rococo-style statues adorning the walls, and gigantic chandeliers) really made the song feel all the more genuine and beautiful. The inclusion of a string orchestra in his live set further added to the epic sincerity of the experience of seeing Richard Marx live. His playful, witty audience shout-outs during the heart-wrenching ballad Angelia- “Come on, you all know the words to this one”; “This is where a guitar solo would go” (just before the song’s bridge)- injected humour and a closeness into the show, and added to the layered emotionality Marx is able to tap into and bring out of his audience.
With his timeless, classic approach to song composition and balladic numbers such as the (still-evocative) love songs Right Here Waiting and Beautiful Goodbye, Marx could, on paper, be plonked into the not-exaclty-favourable category of ‘dad-rock’ today. However, the sheer emotional force of his catchy, soaring hooks played out by a full string band, paired with his genuine superstar stage presence and husky yet sweetly sincere vocals, make seeing Marx live a truly incredible and emotive experience, that would stir the heartstrings of even the most stubbornly stoic hardballs in the audience. His songs (and vocal chords) have both definitely stood the test of time. You’ve gotta hand it to the man, he’s most certainly still got it- and trust me, it’s even better live.