Born one of eight siblings, Dillard’s first move into the musical came when he joined the amateur rap group GroundHoggz when still in ninth grade. Formed of members Flo Rida, 1Bred, Key Lime and Fist, the four-man group remained together for eight years, until the rapper signed with Poe Boy in 2006. The rapper’s debut single “Birthday” was released in 2006 featuring Rick Ross, and was followed by a guest appearance on DJ Khaled’s album “We the Best” on the single “Bitch I’m from Dade County”.
Flo Rida’s debut album “Mail of Sunday” arrived in March 2008, spawning the singles “Low”, which reached No. 1 on the Billboard Hot 100, “Elevator” featuring Timbaland, “In the Ayer”, and “Roll”. The album featured a host of guest appearances including will.i.am, Sean Kingston and Lil Wayne, and proved Flo Rida’s viability for chart success. Before the release of his sophomore album the rapper made cameo appearances on the singles “Move Shake Drop” by DJ Laz, “We Break the Dawn” by Michelle Williams, as well as “Running Back” by Jessica Mauboy, among others.
“R.O.O.T.S.” arrived in March 2009 and debuted at No. 8 on the Billboard 200. The album’s lead single “Right Round”, which sampled the Dead or Alive hit “You Spin Me Round (Like a Record)”, broke the record for most digital downloads in one week with 636,000 downloads. The rapper subsequently released the singles “Sugar” featuring Wynter Gordon, “Jump” featuring Nelly Furtado, and “Be on You” featuring Ne-Yo. Also in 2009 Flo Rida appeared on the debut single of the UK’s “The X Factor” winning Alexandre Burke, “Bad Boys”, which debuted at No. 1 on the UK Singles Chart.
Dillard’s third full length album, “Only One Flo (Part 1)” was released November 2010 spawning the singles “Come With Me”, “Turn Around (5, 4, 3, 2, 1)”, and “Who Dat Girl”. In December 2010 Flo Rida started his own label International Music Group later signing 18-year-old rapper Brianna and Git Fresh. Dillard has subsequently released the album “Wild Ones” in 2012, which shot to No. 1 in 20 countries and spawned the No. 1 single “Levels”.
Shaggy is mostly known for his hit singles "Boombastic", "It Wasn't Me" and "Angel". It's said he got his idea for his stage name from the look of his hair.
He was born in Jamaica, but at the age of 18 he moved to Booklyn, New York with his family, which is where he began taking singing courses.
He originally enlisted in the US Marine Corps, and throughout his time in the military service he carried on singing, which he decided to officially pursue in 1993.
In the year 2000, he released the album "Hot Shot", which included the single "It Wasn't Me". Shaggy actually went on to remake the Scooby-Doo theme tune and titled it "Shaggy, Where Are You?".
In 2007 he performed at the ICC Cricket World Cup and sung "The Game of Love and Unity" next to the likes of Bajan and Rupee.
In 2008 he had completed a six date arena tour with Natalia, a belgian singer. The following year he performed at the closing ceremony of the 2009 IPL tournament in South Africa.
In January 2010 he released "Rise Again", which collaborated with Sean Paul and other artists. And in 2012 he confirmed that he was working on a new album.
Born in Glen Cove, New York to mother and former dance teacher Tina Douglas and father and former singer Ken-Kaide Thomas Douglas, Ashanti has a creative upbringing. She attended the Bernice Johnson Cultural Arts Centre at a young age where she studied dance including tap, jazz, ballet and hip-hop, and later in her teens began singing regularly at various New York shows.
The singer’s big break came in 2002 when discovered by hit maker Irv Gotti, who teamed Ashanti up with Fat Joe and his single “What’s Luv?” and Ja Rule’s “Always on Time”. The two singles were released simultaneously and led to Ashanti being the first female artist to occupy the top two positions in the chart. Before long she released her debut solo single entitled “Foolish”, which became instantly popular, the single was her biggest to date, spending ten weeks at the top of the Billboard Hot 100.
With the success of her first three singles Ashanti and Irv Gotti’s Murder Inc. record label released Ashanti’s debut album “Ashanti” in April 2002. The album debuted at No. 1 on the Billboard 200 album chart, has been certified triple platinum in the U.S. and catapulted the singer to a mainstream world of magazines covers and publicity. Before the end of 2002 Gotti produced a remix of “Foolish” with the Notorious B.I.G. which again hit the charts and represented Ashanti’s domination of the R&B world in 2002.
Her follow-up “Chapter II” in 2003 saw the singer reach the top of the charts once again, largely due to the success of the lead single “Rock wit U (Awww Baby)”. However due to Irv Gotti’s Murder Inc. label coming under some intense scrutiny by the FBI and a feud with 50 Cent’s G-Unit the album got ignored somewhat. The same year the singer released her first Christmas album entitled “Ashanti’s Christmas” and her third full-length LP “Concrete Rose” came a year later in 2004 with the lead single “Only U”.
In 2005 Ashanti made her acting debut in the film “Coach Carter” which opened at No. 1 at the U.S. box office. In 2008 came her fourth studio album “The Declaration” which unlike her debut album which she wrote the majority-of herself, Ashanti enlisted the help of Akon, Babyface and Mario Winans in production. The album debuted at No. 6 in the albums chart led by singles “The Way That I Love You” and “Good Good”.
After a time focusing on her acting and musical appearances including staring as Dorothy in a stage production of “The Wiz”, Ashanti released her fifth album “Braveheart” in March 2014, two years after its initial single was released.
Flo Rida has been around rap for a while so it's no surprise that he's gotten better and better over the years – but what really impresses me about his live performances is the fact that he really engages with the audience and makes them feel welcome from the very moment he enters the stage.
It kind of makes me sad that many people know of his songs because they have heard them around, but they don't actually know him because they don't make that connection. But if you get tickets to one of his shows, you'll never forget him – when everything is said and done people will always remember his performances.
While the venues Flo Rida plays tend to be rather large these days, he creates a closeness between him and us in the audience: you'll feel like you're really close to him. Whether it's when he asks us to jump or dance in a certain way once the song hits a certain point, or by asking the audience directly after each song finishes which song they would like to hear him perform next by gauging how loudly they cheer when he asks. He goes to great lengths when performing to make sure that the audience knows he is actually singing (not just lip-syncing) over the music by changing not only his pitch, but his timing to the song, so that when he plays "I Get A Good feeling" it's not like just listening to the recording.
He's great at suddenly changing the mood of a show, and there are some light-hearted moments like when he brings on a whistle as a prop when playing "Blow My Whistle"! It's hard to explain how much he makes his shows fit to the fans in the crowd – like getting us to sing certain parts of a song, or asking direct questions and getting us to cheer "yes" or "no", and then using this information to segue into another song that is related to the question so as to ensure that the audience feels a part of the performance and what is happening in it.
Flo Rida isn't just another rap act, his shows aren't just another rap show. Every show is different, and the only way you can really experience that is to go and see him for yourself.
Starting out with reggae beat Shaggy explosively questions “are you ready” to the audience before beginning his set. The reggae beats add a bit of funk to his Jamaican flare. His unhurried verses are backed by lilting female voices and remind me of African Savannah music as well as Caribbean party music.
His seamless blending of the styles almost as impressive as his studio quality vocals. Dancing simply around the stage he goes between softer vocals and frenzied, guttural, reggae vocals. He shouts “reggae people” to the audience over and over to get them more involved.
As they increase in volume so does he until the entire venue is filled with his noise and the noises of appreciation. Still performing “Angel” and “Mr. Boombastic” years later Shaggy moves through the songs with a smooth understanding. His throaty vocals scrape at the song and I wonder if he has always been this proficient in his live performances.
For over an hour and a half he leads us through a mix of his new songs, old songs, and improvised sounds. The only constant is his calls for “reggae people” to make more noise reminding us of his genre and his connection to the genre. Ending with “It Wasn't Me” Shaggy seems to come full circle on himself and its easy to imagine I am at a concert of his in the 90's.
Nina Sky is the name of the American R&B duo that is made up of identical twins, Nicole and Natalie. They are originally from Puerto Rico, but they relocated to New York. They grew up around music so it’s a pretty good job that they ended up where they did. This audience is a mixture of people, mainly with this group in common. Tonight they are do play with a live band, made up of two keyboard players, a synth and a drummer. The sound that they make together as a group is pretty mammoth and is enough to get this party started in all of the right ways. They open with the song “You”, which inspires dancing and singing all the way through from start top finish with the audience managing to mimic every harmony and every inflection, with every piece of vocal ornamentation. “Day Dreaming” closes the set with great style, with an electrified encore of the song “Heartbeat”.
Two of the biggest R&B/pop crossovers of the early noughties came from Ashanti; her collaborations on ‘What’s Luv’? with Fat Joe and ‘Always on Time’ with Ja Rule would lead to the latter describing her as “the new princess of hip hop and R&B.” Signing to Murder Inc. Records after being spotted by label boss Irv Gotti, she was seen as crucial to their strategy for crosing over into the mainstream. Her self-titled debut record was a huge success, selling six million copies worldwide and spawning hit singles including ‘Foolish’ and ‘Happy’. Since then, though, Ashanti’s struggled to replicate that success; follow-ups Chapter II and Concrete Rose struggled, primarily because of the lack of a big single (although I maintain that the Jay Z-sampling ‘Rain on Me’ from the former is one of her finest moments). With her first record in six years, Braveheart, meeting with a strong critical response and cracking the U.S. top ten earlier this year, though, she might well be poised for a comeback; she’s back out on the live circuit with a full band, with a couple of well-received UK shows late last year setting the stage for a more high-profile return to these shores - expect Murder Inc.-era classics as well as a slew of new material.