The band was formed out of three members of the experimental thrash metal band L.A.P.D. When that band broke up the remaining members, or at least the ones still talking to each other, drafted in vocalist Jonathan Davis and guitarist Brian “Head” Welch and heavy metal history was made.
They instantly made a splash, legend has it that they even drew a crowd outside the studio they recorded their demo tapes in, since their music was so thrillingly different to anything being released at the time.
By 1994 they’d released their self titled debut album, which remains one of the most influential rock albums of the 1990’s and has sold 10 million copies in the years since. This is especially astounding considering that in terms of lyrical content and musical style, Korn were up their with Nirvana in terms of sheer darkness.
The music can get very difficult to listen to at points, with Davis bravely opening up about childhood traumas with unflinching honesty, all the while backed with Welch’s dissonant, wrenching guitar riffs. With that in mind, their astronomic sales and influence becomes a testament to their ability to connect with the lost and distraught more than anything else, and if that’s not a truly inspiring thing then I don’t know what is.
Korn might not be the most critically acclaimed band around but the figures and the fans speak for themselves, and no matter what Pitchfork might think, they speak louder than anything else in the world of rock and roll.
All of the original members of Architects were intently involved with the Brighton music scene due them all growing up in the surrounding areas. They cross several genres with their technical music, the primary influences have been noted as ranging through artists from hardcore punk and heavy metal music with Meshuggah, Converge, The Dillinger Escape Plan, Gojira and Thrice all noted as influencers. Sam Carter who was a drummer and studied drums at the Brighton Institute of Modern Music before joining Architects, had performed in multiple local bands, one of which had the opportunity of supporting Enter Shikari. Architects was born in 2004 when Drummer Dan Searle and his twin brother Guitarist Tom Searle began the project under the name Counting Days, until the addition of Matt Johnson, guitarist Tim Hillier-Brook and Tim Lucas on bass guitar continued as Architects.
After the release of their debut album Nightmares in May of 2006, the band were offered the opportunity to tour with several prolific artists including Beecher and Bring Me The Horizon, yet due to the age of the members at the time they had to book several weeks off college in order to continue their touring schedule. After their first album, Architects sound was forced to change dramatically due to the departure of lead vocalist Matt Johnson He was replaced by local musician Sam Carter who had been described by Searle as an 'easy choice'. After their next album 'Ruin' which took them on large headline tours in both the UK and the US they revealed they had been signed to Century Media Records for a three album deal. The first release was 'Hollow Crown' which made the first dent on the UK charts, placing it at #117 and was promoted with the band completing a 19 date headline tour of the United Kingdom before supporting Parkway Drive in Australia.
Their next album 'The Here and Now' was released in 2010 and saw the band's sound following a more commercial direction, with sales figures reflecting this as they charted at #57 in the UK, a substantial gain compared to its predecessor. Critics enjoyed the album, but fans were not impressed with the departure from the heavier, more technical sound they had first been attracted to. They slowly began to remedy this with their next releases, returning to the music they were first inspired to make, the outcomes were greatly rewarded as the 2014 release 'Lost Forever//Lost Together' saw them crack the top 20 of the UK and Australian album charts whilst making their first dent on the US billboard.
Korn is a teenage crush, and a trip to the good old years everytime I listen to them.
I saw them around 2005 in Portugal in a festival, and it was an amazing experience. Easily one of the heaviest concerts I've ever been, the mosh pit was insane if that's what you're looking for. The look of the band is great, with Jonathan's signature microphone, and with cages with dancer girls in, creating a really cool atmosphere.
Their music is as good live as it's on album, and their sound matured to be more eletronic and more new age, but for me this is still focused on getting back to the classics and listening to those really heavy songs they had, that made me in part who I am today.
There are plenty of bands who started off with a heavy sound - perhaps they were metalcore, or screamo - who ultimately ended up with a musical identity so watered down that it’d be difficult to argue that they were actually anything more than glorified boy bands, aimed at the disaffected rather than the typical One Direction fan. You Me at Six and We Are the Ocean are both good examples of that particular phenomenon, so fair play to Architects for managing to bring a metalcore sound forwards, in crisp, polished fashion, without actually conceding creative control or changing their image for the sake of commercial viability. The Brighton outfit, at ten years into their careers, have long had a cult fanbase, but it was one they managed to expand considerably with the release of The Here and Now in 2011, which leant towards more of a post-hardcore sound than before. Since then, they’ve continued to go from strength to strength, despite the departure of Tim Hillier-Brook on guitar; their most recent record, this March’s Lost Forever // Lost Together, went in at number fourteen on the UK charts, and saw them play to the biggest crowds of their career so far on a five-date UK tour. They’ll bring their incendiary live show to Reading and Leeds next month, second from top at The Pit - on this form, they’re not to be missed.
I saw them as an opener, they were alright. Their set was an hour long and they took almost 40 minutes to set up, which wasn't great but I get stuff happens, there might've just been some weird issues.
I'm admittedly not a huge fan of their music but it wasn't unenjoyable. A good like half of the crowd was moving and seemed to be enjoying them.
Then after one of their songs the lead singer immediately started yelling at someone in the crowd for not paying attention, and demanded they leave. It was super uncomfortable, people were looking around super surprised and after that I've never seen a more dead crowd, it *really* killed the vibe.