Subhumans
Architects of the UK anarcho-punk scene since 1980, the Subhumans weaponise speed, chaos, and biting intellect. Led by Dick Lucas, they remain the gold standard for DIY ethics, delivering ferocious, anti-authoritarian anthems that dismantle societal norms with unrelenting precision.
WENCH!
Hull’s fierce, unapologetic punk trio, WENCH! creates a sonic riot. Fusing garage grit with raw, feminist fury, they turn personal vulnerability into explosive, high-octane chaos that confronts the status quo with equal parts intelligence and noise.
The Krayons
Since 2006, The Krayons have been a wrecking ball in the West Yorkshire scene. They deliver razor-sharp, anthemic street-punk defined by blistering speed and an unhinged live presence that demands total participation, proving they are the heartbeat of the UK hardcore circuit.
Jenkem Revolt
Jenkem Revolt is a visceral, uncompromising force of nature. Blending melodic edge with hardcore aggression, they deliver abrasive, poetic intensity that cuts right to the bone. With a defiant DIY spirit and a massive live presence, they are the new standard for raw, immediate punk.
Pour les fans de Indé et Alternatif.
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Prior to the formation of Subhumans in 1980, vocalist Dick Lucas had played in the local band, The Mental. Lucas was then joined by guitarist Bruce Treasure and drummer Andy Gale, before former-Audio Torture bassist Grant Jackson joined the fold. Initially performing under the moniker Superhumans at the request of Bruce’s mother, by the end of 1980 Subhumans was cemented with Trotsky replacing Gale on drums. In 1981 the band issued a debut demo tape which caught the attention of punk band Flux of Pink Indians, who offered Subhumans a record release on their Spiderleg Records label. That record surfaced in December 1981 as the EP “Demolition War”.
Whilst failing to significantly raise the band’s profile, the record led to the subsequent EPs “Reasons for Existence” and “Religious Wars” in 1982. The same year Subhumans formed their own label Bluurg Records, which focused on cassette recordings. In 1983, once again released on Spiderleg Records, Subhuman issued their debut, studio album “The Day The Country Died”. Now considered a classic and quintessential release of the anarcho-punk genre, the record has its thematic roots in George Orwell’s “Nineteen Eighty-Four”, epitomised on the single “Big Brother”.
Marking the band’s first solo release on their label Bluurg, Subhuman’s subsequently released the EP “Evolution” in 1983. The full-length “From the Cradle to the Grave” followed the same year, as did the EP “Time Flies… but Aeroplanes Crash”, featuring both live and studio tracks. Following the release of their third full-length “Worlds Apart” in 1985, the band split citing differences in musical direction. Far-removed from the band’s initial hardcore recordings, the band’s final release “29:29 Split Vision”, showcases Subhumans’ more melodic, sung aesthetic.
Dick Lucas went on to join Culture Shock in 1986 and subsequently form the ska-punk outfit Citizen Fish in 1990. A brief Subhumans reunion occurred in 1990, before a fully-fledged reunion tour in 1998 of the UK and U.S. In 1998 the band release an EP of previously unreleased recordings “Unfinished Business”, before issuing the live album “Live in a Dive” on Fat Wreck Chords. The band’s fifth studio album “Internal Riot” arrived in 2007, followed by a tour of Europe and the U.S.
SUBHUMANS was definitely as primate as it gets. Have to hand this one to SUBHUMANS, as they really got it the right way last night. They even managed to make it to my favourite list of show I've ever attended! Anyway just saying that Subhumans handled this one particularly good, full of energy, great sound... absolutely trembling!. If they were to be playing again anytime soon, well... I'll see you there!