Those are the words of country superstar Cody Johnson, the former rodeo rider turned musician. In his two-disc album Human: The Double Album, Cody Johnson — also known as CoJo — opted for songs that Nashville had written off as “too country for country.”
Taking creative risks is nothing for Johnson. One might assume that earning accolades like CMA and ACM Awards nominations, a Platinum single (“On My Way To You”), more than 2 billion streams worldwide, and two RIAA-Gold-Certified tracks is best accomplished by playing by the rules. However, risk-taking is in Johnson’s DNA, and it’s something he’s not going to give up — particularly when it comes to his music.
Born in East Texas in 1987, Johnson started playing music at age 12. He loved it from the start, but his Texas upbringing also introduced him to another, more adrenaline-fueled love: riding bulls at the rodeo. Even as he formed the Cody Johnson Band in 2006 with his father and drummer Nathan Reedy, rodeo pulled at Johnson’s heart.
Later in his career, Johnson would immortalize this journey in song. “All that rodeo, that intense high of riding bulls and thinking that was what I was going to do, and that intense low of that instant realization at a young age that I wasn't good enough and I didn't finish that," says Johnson, "That almost depressed area of my life... all that was allowed to happen to me for one song."
Perhaps music had its own way of rectifying this struggle. On May 15, 2019, Johnson made history by becoming the first unsigned musician ever to sell out the Houston Livestock Show and Rodeo. If ever there were a case of fate assuring someone that they’re on the right course, this would be it.
Earlier that year, Johnson had released his seventh studio album Ain’t Nothin’ To It with Warner Bros. Records Nashville. This album gave him his first Top 40 hit on Country Airplay. There was plenty of touring to be done on such a monumental record, which is perhaps what led to the nearly three-year gap between this and his subsequent record.
When Human: The Double Album arrived in October 2021, it was the result of the years Johnson spent writing and retracing his songwriting roots. The result was a selection of authentic country songs that Johnson felt particularly attached to. When it came time to choose which ones were going on the record, Johnson says he tagged all of them as necessary to the album. That meant a true double album, each with an A and a B side.
“What I did was put the songs together in sequential order as if it was a set list, and I was going to play you this album live. If there’s a theme to this project, it’s that the album is a set list.”
Born in Montreal, Canada, yet raised in Alberta, CLark grew up amongst a musical family, with her grandparents being former country stars, Ray and Betty Gauthier. Learning through her family's musical tradition, Clark sought to pursue a career of her own, moving to Nashville, US in 1987.
After waltzing in to Tootsie's Orchid Lounge, a Nashville venue, Clark asked if she could sing, immediately impressing the management and landing herself a job as the club house's singer. Despite gaining this position, Clark struggled to break into the music industry for several years but eventually landed a recording contract with Mercury Records in 1994.
Her eponymous debut arrived the following year, finding hits right from the outset. The singles "Better Things to Do," "When Boy Meets Girl" and "If I Were You" all broke into the Top Ten, as well as being certified Gold. A support slot for George Strait also helped raise her profile, eventually finding herself nominated for a host of awards at the Academy of Country Music's annual ceremony in 1996. She walked away with awards for 'Album of the Year' and 'Single of the Year,' as well as Billboard Magazine's 'Top New Female Country Artist' award.
Clark's second record, "Just The Same," appeared later in 1996, featuring the hit single, "Poor Poor Pitiful Me." After two more successful albums, Clark released her greatest hits album, celebrating her ten years in the music industry. Following personal difficulties, Clark left Mercury Records, instead deciding to form her own label, Bare Tracks.
"Long Way Home" appeared in 2009, alongside the live DVD, "Live at Cedar Creek" released a year later. In 2011, Clark again moved labels, to the independent Humphead, for her eight record, "Roots and Wings." Next, she recorded an album of duets, "Classic" in 2012, featuring Reba McEntire, Jann Arden and Tanya Tucker amongst others. Again releasing records on her own imprint, her tenth record, "Some Songs," hit the shelves in 2014, finding success on country radio stations.
We could not have had a bether time. Botherwise Cody Johnson & Randy Rogers put on a great show that did not disappoint. I would see either act again. Dantes was the perfect venue. I suspect next time these guys come back to Portland, they may need a bigger place. Thanks for an awesome night.
Canadian Terri Clark is one of the hit makers amongst the country and western music scene. Today I’m going to be discussing one of her more intimate performances where she accompanies herself on an acoustic guitar. She explains before that she is going to take this sold out audience on a journey back to the beginning before she had a guitar. If there is anything this woman can do then it is definitely perform. She has some fantastic chops and some great hooks up her sleeve. “Mama He’s Crazy” is a stunning down tempo song that shows off her stunning voice, with her humble vibrato. It is one of those moments between the artist and the audience where everyone is aware that it’s quite a ‘pinch yourself’ moment. She rounds off this short acoustic set with the mid tempo, “Girls Night Out” which just makes everyone want to do their best hoe down, with one hand in the air. Great vibe this evening.